HYBE recently uploaded what they called a “dance practice” for TWS’ Head Shoulders Knees Toes. Yet, it didn’t look like a dance practice at all.
Instead of dancing in a dark grey practice room, the members were in a large area, performing alongside a large group of dancers. The camera moved with the choreography, framing shots like they were on a music show. The clip looked more like a full rehearsal or even a performance video
The Art of Filming Choreography
Watching it made me realize how reliant some idols are on good camera work. Music shows in Korea are famous for their dynamic filming styles. Quick cuts, zooms, close-ups, wide shots that change in perfect sync with the song. Sometimes the camera highlights a single move or member, while other times it pans out to capture a full formation.
Many choreographies are designed with cameras in mind. That’s why some stages look so impressive when you’re watching it on M Countdown or Inkigayo.
When the Cameras Disappear
The problem is that when you’re performing at a concert or promoting in the West, you don’t have the luxury of good camera angles. With late-night or morning talk shows, the camera is static. The cameraman isn’t moving with the artists as they perform. If a choreo is too simple or if an idol lacks stage presence, it’s going to show.
Take aespa as an example. Their choreography is more streamlined than their peers. Something that works fine when the camera amplifies their sharp lines and visuals. The right camera work can make songs like Girls or Rich Man seem more lively. Again, these songs can look underwhelming outside of MVs or music shows.
Should K-pop companies rethink how they plan a performance?
Camera work will always matter. It’s part of what makes K-pop visually addictive. At the same time, great idols don’t need cameras to have solid live stages. Presence, charisma, and strong choreography should be enough.
K-pop is built on spectacle, but the best performances remind you of an idol’s talent. Talent agencies need to ensure their idols can kill it on stage, no matter where they’re performing.
