Are Game Companies Killing What You Already Bought?
GOG’s director says preservation laws could reduce new games. But he’s missing the point: Stop Killing Games wants end-of-life plans, not eternal servers.
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Genshin Impact and the Cost of Sexualized Character Design
Genshin Impact is fun to explore solo, but its increasingly sexualized character designs raise uncomfortable questions about immersion, values, and who this game serves.
GOG’s New Ownership Raises a Simple Question: Should Gamers Worry?
GOG has new ownership and familiar worries. Here is what actually changes, what stays stable, and why panic does not help anyone.
When Game Awards Lose Suspense, Everyone Loses
When one game sweeps an awards show, excitement disappears. Limiting wins could protect creativity, fairness, and viewer engagement.
When Loot Stops Mattering in Path of Exile
Path of Exile’s reward loop is breaking down. When loot stops dropping during progression, systems and pay to win mechanics take over.
Why Was Clair Obscur Disqualified From The Indie Game Awards?
Clair Obscur lost its wins for Debut Game and Game of the Year over AI use. The real issue is why this rule was enforced after the ceremony.
Does The Game Awards Hurt Developers More Than Helping Them?
The Game Awards claims to celebrate developers. Yet their Future Class program and ridiculous trailer fees reveal a different set of priorities.
The Dream of Selling $80 Games is Still a Fantasy
Big publishers want to charge $80 for games, but players are buying cheaper indie titles instead. The industry’s dream of higher prices is at odds with reality.
Path of Exile 2’s $100 Hideout Is Pay-to-Win
Path of Exile 2’s $100 hideout isn’t cosmetic. It’s pay-to-win. Early trading access and functional advantages matter.